内容摘要：Centinela gave a final, vigorous run and vanished through the tunnel while thousands cheered. It was a day of glory for him as well.

Centinela gave a final, vigorous run and vanished through the tunnel while thousands cheered. It was a day of glory for him as well.

Edwards had 30 points, nine rebounds and six assists in just three quarters for the Timberwolves in a 143-101 victory on Saturday night in Game 3 that cut the Thunder’s lead in the series to 2-1.“Just ultimate pressure on the ball,” Edwards said, “and shoot it as much as I can.”

Julius Randle added 24 points and rookie Terrence Shannon Jr. had 15 points in 13 minutes to highlight a big boost from the bench for the Wolves, who caused all kinds of cracks in the Thunder’sin the two lopsided losses on the road.“Their force on that end of the floor was better than our physicality and pressure, things that we typically do well,” Thunder coach Mark Daigneault said.

Shai Gilgeous-Alexander had just 14 points on 4-for-13 shooting with four turnovers, subbed out with a 38-point deficit and 4:25 to go in the third quarter as Daigneault conceded on a night when his team was never closer than 22 points after early in the second quarter.“It felt like we just eased into the game, and they didn’t,” Gilgeous-Alexander said. “They blitzed us pretty early, and then we were never able to get back because of it.”

Game 4 is in Minneapolis on Monday night.

The travel north and venue shift triggered a sharp drop in shooting for the Thunder, who made exactly half of their attempts from the floor over the first two games and went just 12 for 40 in the first half on Saturday.Gone are the heavy curtains that blocked sunlight. Long silent walls will from now on echo with poetry readings, experimental theater, film screenings and contemporary art exhibits. The rooms offer workshops and shared areas for 23 artists from 15 countries.

The villa’s rebirth stems from a pledge by Albanian Prime Minister Edi Rama to visitingin October 2023 to turn it into an artists’ center — “something that would make Enver Hoxha roll in his grave.”

Closed off to the public until now, the villa has welcomed artists, residing there since late January, and hopes to soon see tourists too.“This is what I believe is the power of art, to deal with a past and a painful past, like the one that this villa symbolizes,” said Nita Deda, manager of Art Explora, a French-based foundation that spearheaded the building’s transformation.