Ms Purshouse said she has happy to see buildings change their use if they can "keep the architecture and keep the feel of the things".
The production crew do everything to make the site safe, she adds, and everybody is always mindful about where they are stepping."There are all sorts of bits that jut out and things might change from one year to the next, where something's kind of fallen down a little bit," she says.
"[We] obviously don't want injuries and they don't want any more stones dislodged."What is quite cool is that around the back you see a lot of oyster shells, where people would have been there in Roman times, watching whatever was going on and eating their oysters, so you sort of get constant little reminders of where you are."We're just there as guests of the space, which is lovely, actually. It feels quite an honour."
The theatre is set within the Gorhambury Estate, which says it "takes a proactive approach to conservation".It works with OVO to install protective matting during events, standalone staging structures, limitations on use to prevent ground damage, and constructing raised walkways to minimise erosion.
A spokesman says: "We are committed to maintaining a sensitive balance between cultural use and heritage protection, ensuring that this unique theatre continues to serve the community as both a historical treasure and a vibrant cultural venue."
The 40-year-old is out of contract with Saudi Arabian club Al-Nassr at the end of June."I've never heard of a case where the delays have just been because of things that the defendant has done."
Brooks appeared via video-link from HMP Norwich after refusing to attend the court in person, having claimed he had a bedsore that meant he would be unable to sit for long periods.The judge said he was informed Brooks was physically fit to attend, and there was no reason he could not.
Throughout the hearing, Brooks moved around in his room, occasionally standing from his wheelchair.He was sitting looking towards the camera as his sentence was handed down.