“Playing the defending champion, round of 16, I’m guessing center court, that’s a pretty cool opportunity, pretty cool experience,” Shelton said. ___
They said by pulling the songs from streaming and other commercial platforms, the label has “maliciously punished” Salt-N-Pepa “for daring to assert their rights.”The label’s lawyers said in letters included as exhibits in the lawsuit that they have encouraged mediation and want to reach a “mutually acceptable resolution.”
But the UMG lawyers said in the letters that James and Denton were not even personally parties in the 1986 agreement that covered their initial albums, and there is no evidence that they granted the label copyright that they can now reclaim.UMG maintains that the recordings were “works made for hire,” which would not allow for the reclaiming of rights. Salt-N-Pepa’s lawsuit says the women’s agreements with the label make it very clear that they were not.The Queens, New York, duo of James and Denton became Salt-N-Pepa in 1985. They were later joined by
, who was not part of the early agreements under dispute and is not involved in the lawsuit.“Salt-N-Pepa boldly changed the look of rap and hip-hop,” the lawsuit says. “They were not afraid to talk about sex and to share their thoughts about men. Their sound recordings ‘Let’s Talk About Sex’ and ‘None of Your Business,’ for example, were huge hits. They talked candidly about women’s sexuality and empowerment when such topics were frowned upon, heavily criticized, and called taboo.”
In 1995 they became the first female rap group to win a Grammy, and in 2021, they received a Grammy lifetime achievement award.
Later this year they’ll become members of the Rock & Roll Hall of Fame when they receive the organization’s Musical Influence Award.“The Fantastic Four: First Steps” is set in a retro-futuristic 1960s New York, where
Reed Richards is “basically Steve Jobs meets Einstein who’s creating technology that’s changing the world” and Vanessa Kirby’s Sue Storm is “essentially the secretary-general of the U.N.,” Shakman said.A television veteran with directing credits on shows like “WandaVision” and “It’s Always Sunny in Philadelphia,” Shakman said he wants to do right by the characters, and audience.
“It’s working on an incredibly large scale in terms of world building, but it’s also no different from all of the great comedies and dramas that I’ve done,” Shakman said. “In the end, it comes down to character, it comes down to relationships, it comes down to heart and humor.”Plus, he feels a responsibility to the idea of the big summer movie.