内容摘要：Traditionally, Chapman said, the practice was reserved for men, but as yoga became more westernized, women took over.

Traditionally, Chapman said, the practice was reserved for men, but as yoga became more westernized, women took over.

Leo, the former Cardinal Robert Prevost of Chicago, began the audience with a tour through the piazza in the popemobile and stopped to bless several babies. In addressing specific greetings to different groups of pilgrims, Leo spoke in his native English, his fluent Spanish as well as the traditional Italian of the papacy.“I renew my heartfelt appeal to allow the entrance of dignified humanitarian aid to Gaza and to put an end to the hostilities whose heartbreaking price is being paid by children, the elderly and sick people,” he said.

The general audience on Wednesdays is a weekly appointment that popes have kept for decades to allow ordinary faithful to have a face-to-face encounter with the pontiff. It features the pope delivering a brief reflection on a theme or Scripture passage, with summaries provided by others in different languages and the pope directing specific messages to particular faith groups.The encounter, which lasts more than an hour, usually ends with a brief topical appeal by the pope about a current issue or upcoming event. Leo began it with his now-frequent mantra “Peace be with you.”To that end, Leo on Tuesday reaffirmed the

the next round of ceasefire talks between Russia and Ukraine during a phone call with Italian Premier Giorgia Meloni, the Italian leader’s office said.Meloni made the call after speaking with U.S. President Donald Trump and other European leaders, who asked her to verify the Holy See’s offer.

“Finding in the Holy Father the confirmation of the willingness to welcome the next talks between the parties, the premier expressed profound gratitude for Pope Leo XIV’s willingness and his incessant commitment in favor of peace,” Meloni’s office said in a statement late Tuesday.

Trump had referred to the Vatican’s longstanding offer to host talks inPOSEN: This amazing opportunity that came about with like ‘do we do a Met Gala outfit,’ right? ‘Do we do a Met Gala outfit?’ And we said, “yes, let’s do it.” And I had this amazing opportunity with Da’Vine Joy (Randolph) and the ability to kind of bring in different art artisans in the process. And I think they saw a different facet ... of my creativity and what Gap could mean culturally.

POSEN: The Met Gala happened. And then the next day, my friend Erin Walsh, stylist, and Anne Hathaway called and said, we want you to make a cotton dress. And from that moment we produced the dress. Sold within hours, sold out online. And we kind of started to see this cultural conversation starting and this other facet that really naturally evolved. It wasn’t in a strategy or a playbook. I never really thought I’d be rebuilding another sub-brand within such an iconic brand and have this opportunity to work in an artisanal manner in the early development of a collection that will be available to a much larger scale amount of people.”POSEN: I hadn’t had my company since before COVID, since 2019, when my company closed. And it had been this interesting time period ... Obviously COVID happened. I had to figure out how to support myself, and I was doing one-of-a-kind pieces. I did some projects with Ryan Murphy on ‘Feud: Capote Versus the Swans,’ and little projects here and there, and I was looking at different opportunities, mostly around within luxury and with luxury brands that I’d been in conversations with for quite some time. And I had this amazing opportunity here.

POSEN: GapStudio is using a totally different skill set of mine, the ability and honor to be able to kind of call the team back after ... losing a family that I had built and grown with for over 20 years of incredible artisans and craftspeople and designers that I worked with for many years that had been broken apart, is a full journey story that I actually never saw or expected in my life, and it’s really meaningful. It’s really beautiful to create environment in a space and to have an American institutional corporation and brand invest in creativity and talent at this level is really unprecedented.POSEN: Great question. Gap is Gap. Gap will always be evolving. The world has evolved. Great classics are always great classics. They always need those elements of elevation to them. I think design and how people dress today has changed. I think that new consumers in the marketplace are requesting elements to mix into their classics that are more elevated, that are more stylish. That’s how we capture a new, younger audience.