内容摘要：Demand has surged at Gardens of the Soul, a pet cemetery inside an animal shelter near Buenos Aires, where owners hold emotional rituals to bid their companions farewell and regularly visit their graves.

Demand has surged at Gardens of the Soul, a pet cemetery inside an animal shelter near Buenos Aires, where owners hold emotional rituals to bid their companions farewell and regularly visit their graves.

; resident Yi-Po Lee died in the fire.Morton chronicled the camp’s residents in her series “Fragile Dwelling.”

“These impoverished habitats are as diverse as the people who build them, and they bear witness to the profound human need to create a sense of place, no matter how extreme one’s circumstances,” she wrote.In one painting, a young boy is wearing some snazzy red slippers and a blue romper. He’s got a big book in one hand and an even bigger hat in the other. You get the impression he’s stopped only momentarily before running off to play in his room.“Portrait of Frederick A. Gale” was painted by Ammi Phillips in 1815 and is one museum director Jason Busch’s favorite pieces in the collection. It stands out, he said “because it’s representative of an art genre that, up till then, had been the purview of society’s upper crust.

“But around this time, more middle-class families were financially able to commission portraits.”Frederick wears a big smile and clothes that are less fussy and more childlike than those of kids in more traditional portraits.

Clarence and Grace Woolsey of Reinbeck, Iowa, had fun creating things out of the boxes of bottle caps that everyone had in the 1960s, before recycling programs became widespread. They strung together dozens of caps with baling wire, forming them into animals, objects and structures. The Museum has one of the small houses from the collection; the red-painted, tightly-packed caps with wavy edges resemble shingles, and the homey vibe epitomizes found-object craft art at its best.

“Somewhere to Roost” runs until May 25, 2025, at the American Folk Art Museum in New York City.Though Haliburton acknowledged his father did the wrong thing and the elder Haliburton apologized on social media for his overexuberance, he was still banned from attending all Pacers games — home and away — indefinitely.

During those eight games, John Haliburton generated his own celebrity at local watering holes. He savored the 4-1 series victory over top-seeded Cleveland and two more wins at New York as the Pacers took the lead in the finals conference before his reappearance Tuesday — in a suite at the top of the lower bowl, located behind the basket closest to the Pacers bench.“My dad is just fine. He lives just fine, he’s watching the game in a beautiful home or he finds his way into a sports bar with a bunch of Pacers fans,” Haliburton said, drawing laughter. “There was a lot of commentary around him, especially right after, which I think some was warranted and some went a little too far, but I think that’s just sports and that’s just talking heads. What can you do? But I don’t think there was any emotion to it.”

said after Monday’s practice he thought it was important fathers watch their sons in person — especially in a conference final. Coach Rick Carlisle echoed those sentiments before Tuesday’s game.“Glad he’s back,” Carlisle said. “You know a father should be able to watch his son play basketball, so we welcome him back.”