“I know we’re not the only ones that are getting impacted,” he said in his living room, near a framed picture of his brother on his last hunting trip.
Israel’s army said on social media it wouldn’t stop until the hostages are returned and the militant group is dismantled. Israel believes as many as 23 hostages in Gaza are still alive, although Israeli authorities have expressed concern for the status of three of them.More than 150 people had been killed in Israeli strikes in the last 24 hours, according to Gaza’s Health Ministry. It said more than 3,000 have been killed since
On Saturday afternoon, an Israeli strike killed at least four children in the Jabaliya refugee camp in the north, according to al-Awda Hospital, which received the bodies. Seven others were wounded in the strike, which hit a house. A later strike in Jabaliya killed four, the hospital said.A photo of 5-year-old Palestinian girl Naya Kareem, who was killed during the Israel-Hamas war in Gaza, is displayed during a protest calling for an end to the war, in Tel Aviv, Israel, on Saturday, May 17, 2025. (AP Photo/Maya Alleruzzo)A photo of 5-year-old Palestinian girl Naya Kareem, who was killed during the Israel-Hamas war in Gaza, is displayed during a protest calling for an end to the war, in Tel Aviv, Israel, on Saturday, May 17, 2025. (AP Photo/Maya Alleruzzo)
“This is unacceptable. Until when? Until we all die?” asked a sweating Naji Awaisa as he and others fled Jabaliya with their belongings down streets lined with shattered buildings. Smoke from airstrikes rose in the distance.Airstrikes around Deir al-Balah in central Gaza killed 14 people, with the bodies arriving at al-Aqsa hospital. One strike on a house killed eight people, including parents and four children.
A strike hit outside a school sheltering displaced people in Gaza City, killing four, the Gaza Health Ministry’s emergency service said.
There was no immediate Israeli comment on the strikes. A separate statement said that the military had killed dozens of fighters while dismantling an “underground route” in northern Gaza.Countless other directors had made leaps into CGI-heavy blockbuster-making before. But Jenkins’ decision was uniquely analyzed – perhaps because there’s no more heralded, or trusted, filmmaker today under the age of 50 than Jenkins.
“It just thought it was something I could not deny,” Jenkins says. “I had to do it.”“Mufasa,” which opens in theaters Friday, brings together movie worlds that ordinarily stay very far apart. On the one hand, you have the Oscar-winning, 45-year-old director of some of the most luminous and lyrical films of the past decade. On the other, you have the intellectual property imperatives of today’s Hollywood. What happens when they collide?
The result in “Mufasa,” about the lion cub’s orphaned upbringing set both before and after the events of Jon Favreau’sis an uncommonly textured and thoughtfully rendered spectacle that, Jenkins maintained in a recent interview, has more in common with “Moonlight” than you’d think. Made with virtual filmmaking tools, “Mufasa” essentially plopped one of the most groundbreaking filmmakers working today into an all-digital playground, with a budget more than a hundred times that of “Moonlight.”