内容摘要：by aid workers. Netanyahu said Israel would work to ensure that aid does not reach militants.

by aid workers. Netanyahu said Israel would work to ensure that aid does not reach militants.

Chalamet in a scene from “A Complete Unknown.” (Macall Polay/Searchlight Pictures via AP)CHALAMET: All of it. I really liked all of it. I like the more intimate songs like “Girl From the North Country” or “Boots of Spanish Leather” or “One Too Many Mornings” or “Tomorrow Is a Long Time.” But then I also liked “North Country Blues” and “Rocks and Gravel” or “Ballad of Hollis Brown” — things where you hear the iron ore in Bob’s voice, the North Country in Minnesota, the Hibbing. The Hibbing that when I visited you really felt like you were on the edge of America, like the edge of the world. These factories that are covered in snow and the icy roads. That stuff, as a New Yorker, I just started to fall in love with.

CHALAMET: Yeah, absolutely, in ways that are more unspoken than I could be definitive about. I just do. I don’t know how to use more words than that. And it was empowering to play someone that really just bucked off all pressure.CHALAMET: That is a young man saying: Why are the older people in this room the signifiers and those who determine who the young lights forward are? Maybe the way he said it — talking about hair loss for older people being representative of their old age (laughs) — wasn’t the nicest way of putting it. But what he was saying, it has an element of truth. And at a time when media was more centralized or something, I think his attitude toward it was — I don’t know, I don’t want to speak for him.Chalamet and James Mangold pose with the visionary tribute award for “A Complete Unknown” during The Gotham Film Awards. (Photo by Evan Agostini/Invision/AP)

Chalamet and James Mangold pose with the visionary tribute award for “A Complete Unknown” during The Gotham Film Awards. (Photo by Evan Agostini/Invision/AP)CHALAMET: I think I’d just say thank you, really. Not thank you for the opportunity to meet, or thank you for the opportunity to play the role. Thank you for his music and his art and his work.

CHALAMET: I spent time in Duluth and Hibbing and Wisconsin and Chicago. I tried to retrace those steps leading to New York where he arrived in the early ’60s. That wasn’t some academy process. That wasn’t trying to excavate the exact footprint and see if there was some DNA remaining and what that meant about where he was psychologically at the time. That was simply to be in the energy of these places and quell some insecurity I had about growing up in midtown Manhattan in the 2000s and how that would be different from growing up in iron ore country in the ’50s and ’60s.

Granted, that’s a different place than it was 60, 70 years ago — which was also moving to me, honestly. The unspoken metaphor I was feeling was: The world goes on. The times they are a’changing and things have changed. Being a brilliant poet or artist like Bob is isn’t the remedy for everyone.But it wasn’t long before this theoretical puzzle became a serious concern.

By the late eighties, the Intergovernmental Panel on Climate Change was set up to assess how much the climate is warming and if humans have anything to do with it.Ever since its first report in 1990, the link between fossil fuels and global warming was clear. Coal, oil and natural gas for electricity, heating, transport, industries like steel and cement-making, and the gasses from agriculture and refrigerants, are burning up the planet.

Scientists say that average global temperatures have gone up by around 1.1 degrees Celsius (2 degrees Fahrenheit) since the middle of the nineteenth century, causing hotter temperature extremes, rising seas and weather disasters, with experts warning thatas the world warms up further.