内容摘要：Not even one of Trump’s most fervent fans in Greenland — who proudly wears a MAGA hat, and a T-shirt emblazoned with Trump pumping his fist and the words: “American Badass” — wants to be American.

Not even one of Trump’s most fervent fans in Greenland — who proudly wears a MAGA hat, and a T-shirt emblazoned with Trump pumping his fist and the words: “American Badass” — wants to be American.

A design by Jacques Agbobly, intended for the upcoming Costume Institute exhibit, “Superfine: Tailoring Black Style,” appears in the installation room at the Metropolitan Museum of Art in New York on March 20, 2025. (AP Photo/Jocelyn Noveck)A design by Jacques Agbobly, intended for the upcoming Costume Institute exhibit, “Superfine: Tailoring Black Style,” appears in the installation room at the Metropolitan Museum of Art in New York on March 20, 2025. (AP Photo/Jocelyn Noveck)

As each year during cocktail hour, they and other guests will be free to put their drinks aside and tour the exhibit before the lavish dinner begins. This year, exquisitely tailored celebrities will examine other examples of exquisite tailoring — as well as historical artifacts like a horse jockey uniform worn between 1830 and 1840.In an installation room late last month, a museum staffer worked painstakingly on restoring those jockey trousers, a pin cushion at the ready. Near her, two items were already hanging on mannequins. One was a classic Jeffrey Banks suit from 1987, a double-breasted jacket and trousers paired with a dapper plaid wool coat, the ensemble finished off with a light pink tie.“See how the coat and suit play off each other,” noted Miller.

Next to it was a very different kind of suit — a denim jacket and trousers embellished throughout with beads — by a far less widely known designer: Jacques Agbobly, whose Brooklyn-based label aims to promote Black, queer and immigrant narratives as well as his own Togolese heritage.The show makes a point, Miller said, of highlighting designers who are well known and others who are not, including some from the past who are anonymous. It will veer across not only history but also class, showing garments worn by people in all economic categories.

Because there are not many existing garments worn or created by Black Americans before the latter part of the 19th century, Miller said, the early part of the show fills out the story with objects like paintings, prints, some decorative arts, film and photography.

Among the novelty items: The “respectability” section includes civil rights activist W.E.B. Du Bois’ receipts for laundry and tailoring. “He’d go to Paris and London, he would visit tailors and have suits made there,” she said.“It’s a shame, because it was the ‘Hot Shot’ of the day,” Alcaraz said later with a smile.

“Crazy shot,” Shelton said.Here’s what happened: Early in the second set, Shelton whipped a passing shot well out of Alcaraz’s reach up at the net. So Alcaraz flung his racket — and, as his equipment flipped through the air, its strings somehow not only made contact with the ball but sent it back over the net and onto the other side of the court.

was awarded the point. But he went over to the chair umpire to admit that he wasn’t holding his racket when it touched the ball. That’s not allowed, so he conceded the point to Shelton, an American seeded 13th.When the official informed the Court Philippe-Chatrier crowd what had happened, Alcaraz was given a round of applause.