内容摘要：Palestinians say the Israeli army does little to protect them and that the attacks are part of a systematic attempt to expel them from their land.

Palestinians say the Israeli army does little to protect them and that the attacks are part of a systematic attempt to expel them from their land.

A woman walks past Chinese and United States’ national flags on display at a merchandise store in Beijing, Thursday, April 3, 2025. (AP Photo/Andy Wong)A woman walks past Chinese and United States’ national flags on display at a merchandise store in Beijing, Thursday, April 3, 2025. (AP Photo/Andy Wong)

Some exporters overseas may cut their prices to offset some of the tariffs, and U.S. retailers could eat some of the cost as well. But most economists expect much of the tariffs to bring higher prices.The tariffs will hit many Asian countries hard, with duties on Vietnamese imports rising to 46% and on Indonesia to 32%. Tariffs on some Chinese imports will be as high as 79%. Those three countries are the top sources of U.S. shoe imports, with Nike making about half its shoes last year and one-third of its clothes in Vietnam.The Yale Budget Lab estimates all Trump’s tariffs this year will push clothing prices 17% higher.

On Thursday, the Home Furnishings Association, which represents more than 13,000 U.S. furniture stores, predicted the tariffs will increase prices between 10% and 46%. Vietnam and China are the top furniture exporters to the U.S.It said manufacturers in Asia are offsetting some of the costs by discounting their products and lowering ocean freight rates, but that won’t be enough to avoid price hikes. Even domestically made furniture often relies on imported components.

“While many in the industry support the long-term goal of reshoring manufacturing, the reality is that it will take at least a decade to scale domestic production,” Home Furnishings Association CEO Shannon Williams said in a statement. “Permitting, training a skilled workforce and managing the higher costs of U.S. manufacturing are significant hurdles.”

At Gethsemane Garden Center in Chicago, there are Canadian-grown tulip, daffodil and hyacinth bulbs, though only about 5% of center plants are imported. Thousands of lemon cypress trees from Canada are sold year-round and Canadian mums are sold in the fall.POSEN: The Met Gala happened. And then the next day, my friend Erin Walsh, stylist, and Anne Hathaway called and said, we want you to make a cotton dress. And from that moment we produced the dress. Sold within hours, sold out online. And we kind of started to see this cultural conversation starting and this other facet that really naturally evolved. It wasn’t in a strategy or a playbook. I never really thought I’d be rebuilding another sub-brand within such an iconic brand and have this opportunity to work in an artisanal manner in the early development of a collection that will be available to a much larger scale amount of people.”

POSEN: I hadn’t had my company since before COVID, since 2019, when my company closed. And it had been this interesting time period ... Obviously COVID happened. I had to figure out how to support myself, and I was doing one-of-a-kind pieces. I did some projects with Ryan Murphy on ‘Feud: Capote Versus the Swans,’ and little projects here and there, and I was looking at different opportunities, mostly around within luxury and with luxury brands that I’d been in conversations with for quite some time. And I had this amazing opportunity here.POSEN: GapStudio is using a totally different skill set of mine, the ability and honor to be able to kind of call the team back after ... losing a family that I had built and grown with for over 20 years of incredible artisans and craftspeople and designers that I worked with for many years that had been broken apart, is a full journey story that I actually never saw or expected in my life, and it’s really meaningful. It’s really beautiful to create environment in a space and to have an American institutional corporation and brand invest in creativity and talent at this level is really unprecedented.

POSEN: Great question. Gap is Gap. Gap will always be evolving. The world has evolved. Great classics are always great classics. They always need those elements of elevation to them. I think design and how people dress today has changed. I think that new consumers in the marketplace are requesting elements to mix into their classics that are more elevated, that are more stylish. That’s how we capture a new, younger audience.POSEN: Denim is quintessentially American. It’s such an incredible fiber. Right? It is cotton and it’s indigo. These are two plants. I don’t know. I’m a gardener. So I’ll just add that. But, you know, denim is utility. Denim is artisanal. Actually, a pair of jeans that gets made has as many steps as a couture gown. You don’t really realize that as a consumer. I go to the washhouses, and I see these incredible artisans kind of modeling, building, washing, scrubbing, sanding, dramaling, I mean, it’s mind blowing that, you know, this world that we’re living in, wearing all these jeans, have no sense of those processes.