内容摘要：, which are also being targeted by Kennedy as hazards in the wider food supply.

, which are also being targeted by Kennedy as hazards in the wider food supply.

Sonnen coached against Wanderlei Silva and again against UFC heavyweight champion Jon Jones in 2013 and was soundly defeated by the champ. Cormier was the UFC light heavyweight champion when he agreed to coach against heavyweight champion Stipe Miocic in 2017. Cormier would go on to defeat Miocic atand became only the second fighter to be champion in two divisions simultaneously.

The move worked out for Cormier. Not so much for his students.“They either had to do what I was doing to keep up in most instances or it felt like a failure,” Cormier said. “They were getting hurt. They were overtraining them. When you’re an athlete, you’ve got to be selfish. While I was still in the show, I was worried about fighting Stipe Miocic and winning the heavyweight championship. This time, I don’t have that. I can literally just coach and give them my all as a coach.”Cormier won a coin flip and drafted first last week in the first episode and picked Brazilian fighter Eduardo Henrique. Sonnen would draft Diego Bianchini — a fighter appropriately known as “The Brazilian Bad Boy.”

“Once you get inside here,”told the fight prospects, “this competition is an absolute pressure cooker. But don’t forget why you came here and what the prize is at the end of this.”

Cormier was surely glad more fights and episodes are ahead — Henrique was choked out by Sonnen’s Joseph Morales.

The days of having to save UFC are long over. The thrill of winning TUF and earning that contract continue into the show’s next decade.Trujillo, who typically avoids watching replays of his performances, found himself drawn in by the immersive experience of their show, which included interviews and close-ups of fans. He said the technology amplifies the energy of a live performance at a time when that excitement can feel diminished.

“For a lot of bands, especially in the hard rock genre, it felt like it was disappearing,” he said. “To me, this really brings it back and relevant again. It shows you the strength in the performance and the emotional attachment to the fans.”While virtual reality headsets offer a personal window into performances, venues like the Sphere and Cosm are expanding these experiences to entire crowds.

In their own way, both are redefining the possibilities of live performances and shared experiences.“It’s virtual reality without the glasses,” said Baz Halpin, the CEO and founder of Silent House Group, who produced and designed the Eagles’ residency at the 17,500-seat Sphere.