内容摘要：There will be no communications with Lucy during the flyby as the spacecraft turns its antenna away from Earth in order to track the asteroid. Levison expects to have most of the science data within a day.

There will be no communications with Lucy during the flyby as the spacecraft turns its antenna away from Earth in order to track the asteroid. Levison expects to have most of the science data within a day.

have called for Israel to be excluded, and several of the broadcasters that fund Eurovision sought a review of the country’s participation.The Oct. 7 cross-border attacks by Hamas militants killed 1,200 people, and roughly 250 were taken hostage into Gaza. More than 52,800 people in Gaza have been killed in Israel’s retaliatory offensive, according to the territory’s health ministry.

Pro-Palestinian and pro-Israel protests both took place in Basel, though on a much smaller scale than at last year’s event in Sweden, where thousands marched in the streets and tensions spilled over backstage, leading to the expulsion of Dutch contestant Joost Klein.Hundreds of people marched through Basel just before the competition, waving Palestinian flags and chanting “Boycott Israel.”Winner of the Eurovision Song Contest JJ from Austria performs the winning song “Wasted Love” during the Grand Final of the 69th Eurovision Song Contest, in Basel, Switzerland, early Sunday, May 18, 2025. (AP Photo/Martin Meissner)

Winner of the Eurovision Song Contest JJ from Austria performs the winning song “Wasted Love” during the Grand Final of the 69th Eurovision Song Contest, in Basel, Switzerland, early Sunday, May 18, 2025. (AP Photo/Martin Meissner)Earlier, a group of Israel supporters gathered in Basel’s cathedral square to root for Raphael and to show that “Jews belong in public spaces in Switzerland,” Zurich resident Rebecca Laes-Kushner said.

She said that “it would be such a strong statement against antisemitism,” if Raphael won.

“This is supposed to be about music, not about hate,” she said.POSEN: This amazing opportunity that came about with like ‘do we do a Met Gala outfit,’ right? ‘Do we do a Met Gala outfit?’ And we said, “yes, let’s do it.” And I had this amazing opportunity with Da’Vine Joy (Randolph) and the ability to kind of bring in different art artisans in the process. And I think they saw a different facet ... of my creativity and what Gap could mean culturally.

POSEN: The Met Gala happened. And then the next day, my friend Erin Walsh, stylist, and Anne Hathaway called and said, we want you to make a cotton dress. And from that moment we produced the dress. Sold within hours, sold out online. And we kind of started to see this cultural conversation starting and this other facet that really naturally evolved. It wasn’t in a strategy or a playbook. I never really thought I’d be rebuilding another sub-brand within such an iconic brand and have this opportunity to work in an artisanal manner in the early development of a collection that will be available to a much larger scale amount of people.”POSEN: I hadn’t had my company since before COVID, since 2019, when my company closed. And it had been this interesting time period ... Obviously COVID happened. I had to figure out how to support myself, and I was doing one-of-a-kind pieces. I did some projects with Ryan Murphy on ‘Feud: Capote Versus the Swans,’ and little projects here and there, and I was looking at different opportunities, mostly around within luxury and with luxury brands that I’d been in conversations with for quite some time. And I had this amazing opportunity here.

POSEN: GapStudio is using a totally different skill set of mine, the ability and honor to be able to kind of call the team back after ... losing a family that I had built and grown with for over 20 years of incredible artisans and craftspeople and designers that I worked with for many years that had been broken apart, is a full journey story that I actually never saw or expected in my life, and it’s really meaningful. It’s really beautiful to create environment in a space and to have an American institutional corporation and brand invest in creativity and talent at this level is really unprecedented.POSEN: Great question. Gap is Gap. Gap will always be evolving. The world has evolved. Great classics are always great classics. They always need those elements of elevation to them. I think design and how people dress today has changed. I think that new consumers in the marketplace are requesting elements to mix into their classics that are more elevated, that are more stylish. That’s how we capture a new, younger audience.