内容摘要："Over time it has given me a lot of self doubt and confidence issues, especially around like, can I function in the world as a writer? But also in a bigger existential way of, this is a clash against the person I'm supposed to be."

"Over time it has given me a lot of self doubt and confidence issues, especially around like, can I function in the world as a writer? But also in a bigger existential way of, this is a clash against the person I'm supposed to be."

With Yoon gone, his People Power Party (PPP) is in disarray and still reeling from his fall.And this is the first time in 18 years that there is no woman among the seven candidates runnning for president. "It's shocking," Jinha says, "that there's no-one". In the last election, there were two women among 14 presidential candidates.

The PPP's Kim Moon-soo is trailing frontrunner Lee Jae-myung, from the main opposition Democratic Party (DP). But young women tell the BBC they have been disappointed by 61-year-old Lee."It's only after criticism that that there were no policies targeting women that the DP began adding a few," Saeyeon says. "I wish they could have drawn a blueprint for improving structural discrimination."When he was asked at the start of his campaign about policies targeting gender inequality, Lee responded: "Why do you keep dividing men and women? They are all Koreans."

After drawing critcism, the DP acknowledged that women still "faced structural discrimination in many areas". And it pledged to tackle inequality for women with more resources at every level.During his presidential bid in 2022, Lee was more vocal about the prejudice South Korean women encounter, seeking their votes in the wake of

He had promised to put women in top positions in the government and appointed a woman as co-chair of the DP's emergency committee.

"It's evident that the DP is focusing significantly less on young women than they did in the [2022] presidential election," Ms Kim says.It is a sign of the booming activity the venue has been enjoying recently.

Last autumn, audience numbers were up 70% on the year before and a new strategy from local authorities is promising a hefty investment in its building.But the scene across Oxfordshire is not always as rosy, with funding and access to affordable arts spaces sometimes proving a sticking point.

The Covid pandemic was a tough time for arts venues.They had to deal with closures, adapting to virtual performances and keeping on top of costs.