内容摘要：A Somali family that arrived waits to be given a spot to settle at a camp for displaced people on the outskirts of Dollow, Somalia on Tuesday, Sept. 20, 2022. (AP Photo/Jerome Delay)

A Somali family that arrived waits to be given a spot to settle at a camp for displaced people on the outskirts of Dollow, Somalia on Tuesday, Sept. 20, 2022. (AP Photo/Jerome Delay)

said “The Studio” isn’t quite a Hollywood postmortem, no matter how much Cranston’s performance in the helter-skelter CinemaCon-set finale verges toward “Weekend at Bernie’s” territory.“We’re people who have been given great lives from this industry who, in general, though it’s been very frustrating, have gotten to do what they want,” Rogen says. “The show is very specifically written from the perspective of people that think things can work out in Hollywood.”

There always is, and probably always will be, reason for optimism in Hollywood. The next big hit is perpetually just around the corner. But as audiences have becomeby streaming, TikTok and video games, the film industry — or at least the major studio version of it — has turned into an IP-factory, hoping that franchises, superheroesThere’s still time for a turnaround (there’s that optimism again), but ticket sales in 2025 are down 6.9% from last year and 38.6% from 2019, according to Comscore. The trends are worse if you look at tickets sold rather than dollars earned, since large-format screens beef up ticket prices.

More than that, though, “The Studio” — with a boatload of cameos of everyone from— taps into a deeper demoralization. Flanked by a team of executives (Kathryn Hahn, Ike Barinholtz, Chase Sui Wonders), Remick finds himself — when not directly obstructing filmmakers he adores, like Scorsese and

— beset with questions over whether they’ve cast a racist Kool-Aid movie, if their

knockoff “Wink” can work or how to sell a movie with zombie diarrhea.FILE - Members of a family visit their home devastated by a landslide triggered by hurricanes Eta and Iota in the village of La Reina, Honduras, June 25, 2021. (AP Photo/Rodrigo Abd, File)

WHO ARE CLIMATE MIGRANTS?Most climate migrants move within the borders of their homelands, usually from rural areas to cities after losing their home or livelihood because of drought, rising seas or another weather calamity. Because cities also are facing their own climate-related problems, including soaring temperatures and water scarcity, people are increasingly being forced to flee across international borders to seek refuge.

Yet climate migrants are not afforded refugee status under the 1951 Refugee Convention, which provides legal protection only to people fleeing persecution due to their race, religion, nationality, political opinion or particular social group.DEFINING CLIMATE MIGRATION