内容摘要：The man, who is gay, was protected from being returned to his home country under a U.S. immigration judge’s order at the time. But the U.S. put him on a bus and sent him to Mexico instead, a removal that U.S. District Judge Brian Murphy found likely “lacked any semblance of due process.”

The man, who is gay, was protected from being returned to his home country under a U.S. immigration judge’s order at the time. But the U.S. put him on a bus and sent him to Mexico instead, a removal that U.S. District Judge Brian Murphy found likely “lacked any semblance of due process.”

One student group gathered beneath two contrasting dinner scenes. In one, a modest family prays over a simple meal of bread and soup. In another, a top-hatted millionaire dines alone, indifferent to the beggar at his feet as an angel weeps.The students debated which table they’d rather join. The rich man has better food, they noted, but the family appears more hospitable.

“They are very grateful obviously for what they have,” observed sixth-grader Corinne Coppler.Vaskov said the murals remain central to the parish’s identity. Though most services are now in English, the parish still holds a monthly Croatian-language Mass and celebrates other ethnic traditions.The scaffolding supporting the conservation work posed “a temporary inconvenience to reveal something marvelous,” Vaskov said.

It finally came down in late May, in time for the parish’s 125th anniversary Mass on June 1. Most of the murals have now undergone conservation. More work lies ahead, but it made an opportunity to savor the latest results.“When you’re up there, you really get caught up in every little spot,” Ruiz said. “Then I look at the big picture. It’s so much better than how it was four months ago. It looks so solid. All the colors just pop.”

AP photographer Gene Puskar and AP videographer Jessie Wardarski contributed.

Associated Press religion coverage receives support through the AP’sand the ways in which acting,

This interview has been edited for length and clarity.ERIVO: This album is a collection of stories and songs that are both personal for things that are happening now, things that have happened in the past, and I think some of which I have had to forgive people for. And honestly, some of which I’ve had to forgive myself for. And I loved the idea of calling it this title, because it’s a simple concept, but not an easy one. And not one that we as humans are very good at, often.

A part of me was feeling, like, “Wouldn’t it be wonderful if people had to keep repeating the words, ‘I forgive you?’” So even if you’re finding it difficult to say this album will give you the permission to actually say the words, even if you’re not quite ready.ERIVO: The concept of being a work in progress — who still gets scared of things, who still has to deal with things — that won’t ever necessarily stop. It might get quiet, but that feeling doesn’t necessarily always go away. I just wanted to be honest, and I think that “Replay” was probably the first song that I put out was because I felt like it was sort of a reintroduction to the inner part of me that most people might not really know.