“Intent?” the reporter asked.

Fights occasionally break out. The veterinary bill for the center is nearly $40,000 a year, and it’s a constant process of rescue, rehabilitation, and then trying to rehome them, with more pugs arriving all the time.“The operation doesn’t stop,” said Gaw.

There is a reason why so many pugs need a new home. Their short muzzles, a mark of the breed, give rise to breathing problems and other health issues like eye and ear infections, she said. A pug’s vet costs are not to be sniffed at and Gaw warns prospective owners to do their homework and get a good pet insurance policy: “You’re going to need it.”Many of the pugs have come to the Gaws because their owners can’t afford those vet bills. Be prepared for their problems, she said, and also the hair, which she can’t stress enough.“They shed an enormous amount of hair,” she said. ”You can brush them all day long, they still shed.”

DALLAS (AP) — A fire that broke out at a shopping center in Dallas on Friday morning killed more than 500 animals, most of which were small birds, authorities said.The 579 animals in the pet shop at Plaza Latina in Northwest Dallas died from smoke inhalation, Dallas Fire-Rescue spokesperson Jason Evans said in a statement.

The flames from the fire never reached the animals. Chickens, hamsters, two dogs and two cats also died, Evans said.

The two-alarm fire took about two hours and as many as 45 firefighters to extinguish around 11 a.m., Evans said.POSEN: The Met Gala happened. And then the next day, my friend Erin Walsh, stylist, and Anne Hathaway called and said, we want you to make a cotton dress. And from that moment we produced the dress. Sold within hours, sold out online. And we kind of started to see this cultural conversation starting and this other facet that really naturally evolved. It wasn’t in a strategy or a playbook. I never really thought I’d be rebuilding another sub-brand within such an iconic brand and have this opportunity to work in an artisanal manner in the early development of a collection that will be available to a much larger scale amount of people.”

POSEN: I hadn’t had my company since before COVID, since 2019, when my company closed. And it had been this interesting time period ... Obviously COVID happened. I had to figure out how to support myself, and I was doing one-of-a-kind pieces. I did some projects with Ryan Murphy on ‘Feud: Capote Versus the Swans,’ and little projects here and there, and I was looking at different opportunities, mostly around within luxury and with luxury brands that I’d been in conversations with for quite some time. And I had this amazing opportunity here.POSEN: GapStudio is using a totally different skill set of mine, the ability and honor to be able to kind of call the team back after ... losing a family that I had built and grown with for over 20 years of incredible artisans and craftspeople and designers that I worked with for many years that had been broken apart, is a full journey story that I actually never saw or expected in my life, and it’s really meaningful. It’s really beautiful to create environment in a space and to have an American institutional corporation and brand invest in creativity and talent at this level is really unprecedented.

POSEN: Great question. Gap is Gap. Gap will always be evolving. The world has evolved. Great classics are always great classics. They always need those elements of elevation to them. I think design and how people dress today has changed. I think that new consumers in the marketplace are requesting elements to mix into their classics that are more elevated, that are more stylish. That’s how we capture a new, younger audience.POSEN: Denim is quintessentially American. It’s such an incredible fiber. Right? It is cotton and it’s indigo. These are two plants. I don’t know. I’m a gardener. So I’ll just add that. But, you know, denim is utility. Denim is artisanal. Actually, a pair of jeans that gets made has as many steps as a couture gown. You don’t really realize that as a consumer. I go to the washhouses, and I see these incredible artisans kind of modeling, building, washing, scrubbing, sanding, dramaling, I mean, it’s mind blowing that, you know, this world that we’re living in, wearing all these jeans, have no sense of those processes.