内容摘要：But some 25% of the prescriptions he fills today are reimbursed for less than what he bought the medications for. Jones said he lost $30,000 between the beginning of the year and mid-May.

But some 25% of the prescriptions he fills today are reimbursed for less than what he bought the medications for. Jones said he lost $30,000 between the beginning of the year and mid-May.

When Kapo’s house burned down, it was Flack who helped him rebuild, and her support allowed him to stay in his hometown and continue his art. It was one of many obstacles that he overcame, said his daughter, Christine Reynolds, who came to see the exhibition.“Seeing his painting on view in `Somewhere to Roost’ is yet another signal that his work made it through,” she said. “I feel pride, vindication and joy, and I only wish I had him at the museum next to me so that I could watch his reaction to seeing it.”

A photograph by Margaret Morton entitled “Mr. Lee’s Home” shows a makeshift dwelling that was part of a lower Manhattan homeless encampment in the 1980s and early ‘90s. It and some other shelters were; resident Yi-Po Lee died in the fire.Morton chronicled the camp’s residents in her series “Fragile Dwelling.”

“These impoverished habitats are as diverse as the people who build them, and they bear witness to the profound human need to create a sense of place, no matter how extreme one’s circumstances,” she wrote.In one painting, a young boy is wearing some snazzy red slippers and a blue romper. He’s got a big book in one hand and an even bigger hat in the other. You get the impression he’s stopped only momentarily before running off to play in his room.

“Portrait of Frederick A. Gale” was painted by Ammi Phillips in 1815 and is one museum director Jason Busch’s favorite pieces in the collection. It stands out, he said “because it’s representative of an art genre that, up till then, had been the purview of society’s upper crust.

“But around this time, more middle-class families were financially able to commission portraits.”“You try to get them in their first trimester and then work with them to delivery day, and then we also work with the babies to make sure that they reach their milestones,” Jackson said.

Jackson got help from the local Urban League as a single mom, and felt called to give back to her community. She’s been with Healthy Start for more than 25 years, first through Tulsa’s health department and recently through a nonprofit she started that received about $1 million in federal funds this fiscal year.“I’m just like a mom to this program,” Jackson said.

Oklahoma overall has a maternal mortality rate of aboutlive births, significantly higher than the national average of about 23. But in Jackson’s quarter-century tenure, she said, there have been no maternal deaths among clients.