内容摘要：The NOAA forecast calls for 13 to 19 named storms with six to 10 becoming hurricanes and three to five reaching major status with winds of more than 110 mph (177 kph). A normal season has 14 named storms, seven of which strengthen to hurricanes and three power up further to major hurricanes.

The NOAA forecast calls for 13 to 19 named storms with six to 10 becoming hurricanes and three to five reaching major status with winds of more than 110 mph (177 kph). A normal season has 14 named storms, seven of which strengthen to hurricanes and three power up further to major hurricanes.

for working with philanthropies, a list of supporters and funded coverage areas atRIOHACHA, Colombia (AP) — Climate change is rapidly altering the way of life of the Indigenous Wayuu people, a semi-nomadic Indigenous group living in the arid La Guajira region, which spans northern Colombia and Venezuela.

Prolonged droughts, intensified by climate change, have worsened water scarcity, straining the Wayuu’s already limited access to drinking water and resources for livestock and agriculture. As rainfall becomes more erratic, food insecurity rises, with crops failing and livestock struggling to survive.Health risks also escalate, with heat waves increasing dehydration and extreme weather events leading to flooding and waterborne diseases.Their way of life is also being threatened as companies and the government — who want to capitalize on the region’s wind potential — seek to

EDITOR’S NOTE: This is part of a series of on how tribes and Indigenous communities are coping with and combating climate change.A lot of the Wayuu population preserve traditional, semi-nomadic ways of living on “rancherias,” which are thatched-like roofed huts, made from dried cacti and mud and herd cattle and goats. They also have a traditional governance system and laws based on their cultural and spiritual practices.

The worsening conditions have forced many Wayuu to migrate, either to urban centers or across borders, further intensifying their socio-economic struggles. This displacement threatens their traditional livelihoods of farming, fishing and herding. The impacts extend beyond economics, as the Wayuu’s cultural identity, rooted in their spiritual connection to the land, is also at risk.

Luciane Mengual, 22, an Indigenous woman from the Wayuu community, poses with her baby at home in the Villa del Sur neighborhood, on the outskirts of Riohacha, Colombia, Tuesday, Feb. 4, 2025. (AP Photo/Ivan Valencia)That September night in 2022 marked a turning point for Tesfaye. He mines the scene in

” where, ironically, it arrives too late. The tedium of an incoherent first act paints the charismatic performer — one of the last few decades’ most popular — as an unempathetic protagonist in a nonlinear and nonsensical world.But how much of The Weeknd is here, really? In his first leading role in a feature film, directed by Trey Edward Shults, Tesfaye plays a fictionalized version of himself, an insomniac musician (as made explicitly clear in the “Wake Me Up” leitmotif, where he sings, “Sun is never rising / I don’t know if it’s day or night”). He’s marred by a recent breakup from an ex portrayed in a cruel voicemail message (“I used to think you were a good person,” she says) and a hedonistic lifestyle, instigated by his superficial friend-manager Lee, played Barry Keoghan.

Shortly after Tesfaye loses his voice, a psychosomatic ailment, he meets superfan Amina, portrayed byShe offers temporary comfort and, in return, is afforded no agency. She exists for him. Soon, the uninspired horrors begin, culminating in what recalls the torture scene in