内容摘要：An elderly woman suffering from heat related ailment is brought to an overcrowded government district hospital in Ballia, Uttar Pradesh state, India, June 20, 2023. (AP Photo/Rajesh Kumar Singh)

An elderly woman suffering from heat related ailment is brought to an overcrowded government district hospital in Ballia, Uttar Pradesh state, India, June 20, 2023. (AP Photo/Rajesh Kumar Singh)

and try to evade Esposito’s robot bounty hunter.The robots they find in the exclusion zone are voiced by an army of celebrities you’ll go insane trying to place before angrily resorting to IMDb, including Harrelson, Hank Azaria, Brian Cox and Jenny Slate. Their designs are thoughtful and remarkable and should evoke a sense of awe in the viewer at the sheer ingenuity behind this film, where many of the most impressive shots seem to be the recreations of Stålenhag’s illustrations of dismantled, decaying robots. The action, however, gets mind-numbingly repetitive by the end of the bloated runtime.

Pratt and Brown, while fine individually, don’t really find their groove as partners on this journey either. Pratt is kind of just doing his thing and gets the few clever one-liners in the script. Brown, meanwhile, seems a little bored by yet another teen adventure role. And both ultimately look like movie stars in ‘90s cosplay, which might be a metaphor for the larger failure of the movie.“The Electric State” was, of course, not made by algorithm, which is an admittedly cheap shot for a Netflix original. Unfortunately, it just feels that way.“The Electric State,” a Netflix release streaming Friday, is rated PG-13 by the Motion Picture Association for “sci-fi violence/action, language and some thematic material.” Running time: 128 minutes. One and a half stars out of four.

It’s not a toy. Whatever you do, do NOT call it a toy.That’s the chilling message from the spooked airline pilot (Adam Scott) who arrives at a pawn shop, covered in blood that’s not his, trying to get rid of the monkey. It’s an old mechanical organ grinder toy — sorry, NOT a toy! — and it’s been causing lots of chaos.

Osgood Perkins’ latest horror film, an absorbing and stylish if not quite smoothly blended mix of family drama, humor, and blood-and-guts mayhem. Not all of it works, but it’s never uninteresting or uncreative — especially when it comes to finding inventively horrible (or horribly inventive) ways for people to die.

Perkins, basing his story on a 1980 tale by Stephen King, has returned to a few themes from “Longlegs,” his breakout horror hit of last year. For one, he clearly has a thing for creepy dolls. (And after this film, you may never find a monkey’s face cute again.)on Saturday followed their civic duty by eating what’s become known as a democracy sausage, a cultural tradition as Aussie as koalas and Vegemite, and for some just as important as casting their vote.

The grilled sausage wrapped in a slice of white bread and often topped with onions and ketchup is a regular fixture of Antipodean public life. But when offered at polling places on, the humble treat is elevated to a democracy sausage — a national, if light-heated, symbol for electoral participation.

Or, as a website tracking real-time, crowd-sourced democracy sausage locations on polling day notes: “It’s practically part of the Australian Constitution.”But the tradition is far from political. Cooking and selling the snacks outside polling places is the most lucrative fundraising event of the year for many school and community groups.