内容摘要：Dilawar Hussain, a lawyer representing the refugees, said the families have filed a petition in India’s top court, urging the Indian government to bring them back to New Delhi.

Dilawar Hussain, a lawyer representing the refugees, said the families have filed a petition in India’s top court, urging the Indian government to bring them back to New Delhi.

McNally’s memoir lets readers sidle up to the bar and feel like regulars in his life, too.Sophie Gilbert, a London-based staff writer for the Atlantic magazine, has taken a survey of the Anglo-American pop culture landscape, and her findings aren’t pretty. In a new book, “Girl on Girl: How Pop Culture Turned a Generation of Women Against Themselves” she concludes that after decades of social and political progress for women, the patriarchy has come roaring back in the 21st century with the new-old belief that women’s proper place is in the kitchen and bedroom, not the boardroom or the military.

As a millennial herself, Gilbert wanted to explore, from the perspective of a critic, how and why seemingly every genre of entertainment in the 2000s, from movies and music to TV and fashion, was sending girls the message that it was OK to look and act like a pinup girl again.“Why were we so easily persuaded of our own inadequacy? Who was setting the agenda? Why, for decades and even now, has virtually every cultural product been so insistently oriented around male desire and male pleasure?” she writes.The reasons are manifold, and the results indisputably clear. In music, the “ferocious activist energy of riot grrrls” gave way to the “

over the course of the 1990s. Meanwhile, the emergence of hardcore rap celebrated misogyny and sexual violence against women. In literature and later in film,pioneered an enduring new female archetype: the trainwreck.” In fashion, powerful supermodels who knew what they were worth and demanded to be paid for it “were phased out in favor of frail, passive teenagers.”

But in Gilbert’s view, nothing was as influential as the proliferation of porn, which has trained both men and women to see the latter as objects, “as things to silence, restrain, fetishize, or brutalize.” She nods to it in the meaning of her double-barreled title. “Girl on girl” is both a genre of porn and an acknowledgement of the way women have been turned against themselves and each other by the forces of postfeminism.

Chapter by chapter, Gilbert methodically shows how the backlash against second- and third-wave and riot grrrl feminism fueled the rise of incel culture, trad wives, the stay-at-home girlfriends on TikTok, and much more. There is a lot to unpack here, but it is well worth the effort. Especially if you, like Gilbert, are still coming to grips with the reversal ofUnder that program, asylum seekers would be flown to Rwanda, which would decide whether to grant asylum there.

Under the “return hubs” Starmer is discussing, migrants whose asylum claims are rejected by the U.K. would be sent to a third country to await deportation. A spokesperson for Starmer said the goal is to prevent failed asylum seekers from using stall tactics, such as starting a family in Britain, to prevent being sent back.Migration expert Meghan Benton said there’s a lot of confusion between the different programs set out by the U.K. and other European countries. “There’s a lot of legal and moral differences between them,” Benton, who leads Global Programs at the Migration Policy Institute think tank, said. While the Rwanda deal shifted the U.K.'s responsibility for asylum to a third country, Starmer’s proposal involves people who have exhausted their asylum claims, Benton explained.

Several European countries, including the Netherlands and Sweden, are looking to do the same, Benton added. The “return hubs” concept has also been supported by theas a way to deter irregular migration.