内容摘要：Any surviving wreckage will belong to Russia under a United Nations treaty.

Any surviving wreckage will belong to Russia under a United Nations treaty.

“The Legend of Ochi” was forged out of many influences, fromto Amblin, and it’s the kind of ambitious swing that Hollywood doesn’t seem to take very often these days — especially not with a PG rating. That doesn’t mean it all works seamlessly, though. The emotional beats don’t seem to land as authentically as the more irreverent humor. But it’s impossible not to admire the creativity, the imagination and the care that went into making something like this, with puppetry, matte paintings and inventive graphics, for a mere $10 million.

“The Legend of Ochi,” an A24 release in theaters nationwide Friday, is rated PG by the Motion Picture Association for “some language, smoking, a bloody image, thematic elements and violent content.” Running time: 96 minutes. Three stars out of four., Barack Obama was in the second year of his first term as U.S. president, the iPad was released and Instagram was brand new.“On some days, I’m like that was just a blink away. But for the most part, yeah, it feels like a long time because I’ve been waiting. I felt stagnant, I felt stuck for a while, and conflicted,” said the two-time Grammy-nominated artist. “I’m very much approaching this like I’m starting over because that’s how it feels to me. I’ve lived nine lives since I last released … I’m a whole different person.”

Hilson, the 42-year-old R&B star known for late 2000s hits like “Knock You Down,” featuring Kanye West and Ne-Yo. and “Pretty Girl Rock,”. It’s her third album, following 2010’s “No Boys Allowed,” and is the first of a trilogy set for release this year. Led by the sultry single “Bae,” the nine-track album delves into romance and introspection.

“I feel resolved, both with the art and within about stepping back into the light. So, I think that resolve kind of had to be found before I felt confident enough to release the body of work and also unleash myself to the world again,” explained Hilson, who said she’s never stopped recording. “There were songs in my past that I felt were political moves, songs I didn’t really love that I had to sing … I didn’t want to feel like that this time around.”

One of those songs was a leaked remix to her popular 2009 single “Turnin Me On” featuring Lil Wayne, which peaked at No. 15 on the Billboard Hot 100. Lyrics includedPOSEN: This amazing opportunity that came about with like ‘do we do a Met Gala outfit,’ right? ‘Do we do a Met Gala outfit?’ And we said, “yes, let’s do it.” And I had this amazing opportunity with Da’Vine Joy (Randolph) and the ability to kind of bring in different art artisans in the process. And I think they saw a different facet ... of my creativity and what Gap could mean culturally.

POSEN: The Met Gala happened. And then the next day, my friend Erin Walsh, stylist, and Anne Hathaway called and said, we want you to make a cotton dress. And from that moment we produced the dress. Sold within hours, sold out online. And we kind of started to see this cultural conversation starting and this other facet that really naturally evolved. It wasn’t in a strategy or a playbook. I never really thought I’d be rebuilding another sub-brand within such an iconic brand and have this opportunity to work in an artisanal manner in the early development of a collection that will be available to a much larger scale amount of people.”POSEN: I hadn’t had my company since before COVID, since 2019, when my company closed. And it had been this interesting time period ... Obviously COVID happened. I had to figure out how to support myself, and I was doing one-of-a-kind pieces. I did some projects with Ryan Murphy on ‘Feud: Capote Versus the Swans,’ and little projects here and there, and I was looking at different opportunities, mostly around within luxury and with luxury brands that I’d been in conversations with for quite some time. And I had this amazing opportunity here.

POSEN: GapStudio is using a totally different skill set of mine, the ability and honor to be able to kind of call the team back after ... losing a family that I had built and grown with for over 20 years of incredible artisans and craftspeople and designers that I worked with for many years that had been broken apart, is a full journey story that I actually never saw or expected in my life, and it’s really meaningful. It’s really beautiful to create environment in a space and to have an American institutional corporation and brand invest in creativity and talent at this level is really unprecedented.POSEN: Great question. Gap is Gap. Gap will always be evolving. The world has evolved. Great classics are always great classics. They always need those elements of elevation to them. I think design and how people dress today has changed. I think that new consumers in the marketplace are requesting elements to mix into their classics that are more elevated, that are more stylish. That’s how we capture a new, younger audience.