内容摘要：Wearing a seal fur hat made by his mother, Andrew Kakoona, 46, sits on an ATV with a hunting rifle secured on his chest as he and his relatives get ready for seal hunting in Shishmaref, Alaska, Tuesday, Oct. 4, 2022. (AP Photo/Jae C. Hong)

Wearing a seal fur hat made by his mother, Andrew Kakoona, 46, sits on an ATV with a hunting rifle secured on his chest as he and his relatives get ready for seal hunting in Shishmaref, Alaska, Tuesday, Oct. 4, 2022. (AP Photo/Jae C. Hong)

He flew from Beijing to Cuba, then to the small South American country of Suriname. From there, he traveled by land: through Guyana, Brazil, Bolivia, Peru, Ecuador and Colombia, before trekking through the Darién Gap.He moved up through Central America and Mexico before being detained after crossing into the U.S. in San Diego.

Qamar Abdi, left, and Filsan Ali, migrants from Somalia, pose for a portrait at the hotel where they are staying in Panama City, Monday, March 10, 2025, after being deported from the United States, detained for weeks in a Panamanian immigration camp, and released on a temporary humanitarian visa allowing a 30‑day stay. (AP Photo/Matias Delacroix)Qamar Abdi, left, and Filsan Ali, migrants from Somalia, pose for a portrait at the hotel where they are staying in Panama City, Monday, March 10, 2025, after being deported from the United States, detained for weeks in a Panamanian immigration camp, and released on a temporary humanitarian visa allowing a 30‑day stay. (AP Photo/Matias Delacroix)Qamar Abdi, left for the U.S. on Aug. 17, due to warfare between the government and militants of al-Shabab, which the U.S. recognizes as a terrorist group.

She hopped from buses to shared cars for nearly a month until she reached South Africa. From there, she flew to Sao Paulo, Brazil, and spent the next six months riding buses north.When she arrived at the northern tip of Colombia, she traveled six days through the Darién Gap, landing in Panama on New Year’s Day.

She took buses to the southern Mexican border city of Tapachula, where she was temporarily kidnapped and robbed by a gang. To avoid immigration authorities, she traveled hours packed on a boat with other migrants along Mexico’s Pacific coast, then took a bus to Mexico City. She spent two weeks there before driving to Tijuana, where she crossed into the U.S.

Ebrahim Ghezelgechi, right, a migrant from Iran, poses for a portrait with his wife Sahar Bideman and their children Sam and Aylin in Panama City, Monday, March 10, 2025, after they were deported from the U.S., detained for weeks in a Panamanian immigration camp, and released on a temporary humanitarian visa allowing a 30‑day stay. (AP Photo/Matias Delacroix)The album, the quietest of the series, worked as an allegory on the trials of fame — a topic long covered by the most successful purveyors of pop. Retrospectively, it works best as a film’s soundtrack than a stand-alone record, ambitious. Like the movie, it gestures at criticism of the celebrity-industrial complex without accomplishing it. It seems obvious, now, to learn that the movie predates the record.

The film’s strength far and away is its score, composed by Tesfaye with Daniel Lopatin (better known as the experimental electronic musician Oneohtrix Point Never and for hisand “Uncut Gems” scores). It builds from Tesfaye’s discography and morphs into something physical and psychedelic — at its most elated, dread-filled and clubby. It is so affecting, it almost distracts from moments of dizzying cinematography, with the films’ penchant for spinning frames, zooms into upside skylines, blurred vision and erratic lights.

Those tools feel better suited for a music video, the kind of sophisticated visual world Tesfaye has developed in his pop career. They elevate his euphoric, layered, evocative dance-pop, but they do not translate in this film.“Hurry Up Tomorrow,” a Lionsgate release, is rated R by the Motion Picture Association for language throughout, drug use, some bloody violence and brief nudity. Running time: 105 minutes. One and a half stars out of four.