The programs have saved Illinois hospitals considerable sums, according to a study released this month.
and one of that film’s stars, Bill Nighy, is part of the new Netflix animated movie(streaming Wednesday). The film was co-written by Curtis (it’s based on his series of Christmas books) and features Nighy as the voice of Lighthouse Bill, one of the Wellington-on-Sea townspeople grappling with a winter blizzard. The storm poses challenges even for Santa, voiced by Brian Cox.
— Scarlett Johansson and Channing Tatum star in the space race rom-comabout a NASA launch director (Tatum) and a Madison Avenue marketing executive tasked with selling the mission to the moon. The film, which debuted in theaters in July, hits Apple TV+ on Wednesday., AP Film Writer Lindsey Bahr praised it as “lighthearted and breezy with a pleasing screwball energy, giving Johansson the opportunity to use the full wattage of her movie star power.”
— Does espresso go with eggnog? Find out when Sabrina Carpenter hosts a holiday variety music special that streams on Netflix starting Friday, Dec. 6. “It’s an hour of literal nonsense,” Sabrina told Time magazine about the special. “If people are expecting boring, me singing by a tree, it’s not that. It’s so fun, so chaotic. There are so many guests that I’m excited about.” Those guests include Chappell Roan, Tyla, Shania Twain, Kali Uchis, Quinta Brunson, Cara Delevingne, Kyle Mooney, Nico Hiraga, Megan Stalter, Sean Astin, Owen Thiele and Jillian Bell.— Lauren Mayberry, vocalist and percussionist from the
, makes her solo debut with
The 12 tracks veer from the coffee-house folk of “Anywhere But Dancing” to the punky “Punch Drunk,” the dance-pop of “Change Shapes” and stuttering glam of “Sorry, Etc.” “It’s a mission statement of all things that you like,” she tells us in an interview.His Broadway career began in 1960 with “Bye Bye Birdie,” which Strouse wrote with lyricist Lee Adams and librettist Michael Stewart. “Birdie,” which starred Dick Van Dyke and Chita Rivera, told the tale of an Elvis Presley-like crooner named Conrad Birdie being drafted into the Army and its effect on one small Ohio town.
Strouse not only wrote the music, but he played piano at auditions while Edward Padula, the show’s neophyte producer, tried to attract financial backers for a production that would cost $185,000.“We never stopped giving auditions — and people never gave money at all. The idea of using rock ‘n’ roll — everybody was so turned off,” Strouse said.
Finally, Padula found Texas oilman L. Slade Brown. When he heard the score, he said, in a Texas twang, “I like those songs,” pushed Strouse aside and picked out the tune of “Put on a Happy Face” on the piano.Brown then said, “How much do you fellas need?” and wrote out a check for $75,000 to cover the start of rehearsals. “Suddenly, the world turned Technicolor,” Strouse remembered.