内容摘要：In its report, Glass Lewis said the recent return of brothers Joesley and

In its report, Glass Lewis said the recent return of brothers Joesley and

The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group. The AP is solely responsible for all content.is sitting in the restaurant of the Carlyle Hotel talking about how easy it can be to close yourself off to new experiences.

“We get older and maybe out of fear, we want to control the way we are in our lives. And I think it’s sort of the enemy of art,” Craig says. “You have to push against it. Whether you have success or not is irrelevant, but you have to try to push against it.”Craig, relaxed and unshaven, has the look of someone who has freed himself of a too snug tuxedo. Part of the abiding tension ofwas this evident wrestling with the constraints that came along with it. Any such strains, though, would seem now to be completely out the window.

Since exiting that role, Craig, 56, has seemed eager to push himself in new directions. He performed. His drawling detective Benoit Blanc (“Halle Berry!”) stole the show in

And now, Craig gives arguably his most transformative performance as the William S. Burroughs avatar Lee in Luca Guadagnino’s tender tale of love and longing in postwar Mexico City, “Queer.”

it’s been one of the fall’s most talked about performances — for its explicit sex scenes, for its vulnerability and for its extremely un-007-ness.ALEJANDRO: Puerto Rico is in every part of the books, in history. We’re in every part of the world. You mentioned hip-hop, Puerto Ricans were involved in that as well. But before that, you see a salsa world

New York in the ‘70s was a lot of jazz, soul. It’s just a lot of music from New York and Puerto Ricans have always been there. Reggaeton comes from Carolina, Puerto Rico. It’s the birthplace. It’s special. I feel really proud to be a Puerto Rican.In this new era, I went to New York and found great inspiration for my music but kept my essence. I keep the island at the forefront of everything that I do. I’m thinking about what it means to be Puerto Rican, our culture.

ALEJANDRO: Of course, definitely. Salsa was a world that I had yet to explore. When I’m doing new projects, I try to look back at what I’ve accomplished and what I have yet to do. I try to analyze my whole career and see what’s going to be next with Rauw, what’s going to be new; I take my time at the studio, at home, studying, analyzing.This project has a lot of salsa influence, a lot of African influence. I’m using the live instruments (for) the first time. Instruments traditional to Puerto Rico like the cuatro, puertorriqueño guitar, maraca, el guiro, la conga, all mixed with the digital sounds. And, you know, it sounds fresh. It sounds rich and perfect for dancing.