内容摘要：Zuckerberg also pushed back against Matheson’s contention that the reason for buying the company was to neutralize a threat.

Zuckerberg also pushed back against Matheson’s contention that the reason for buying the company was to neutralize a threat.

“It has generally been my experience that when we partner with larger entities (Federal, state), those agencies usually ‘take’ more than they ‘give.’ Essentially, we usually end up with the short end of the stick in some way,” he wrote.Kennedy said he would be “more than happy to assist your agents in our area” but asked ICE not to rely on his 181-bed jail because he doesn’t have room.

David Bindert, an official in ICE’s Cedar Rapids, Iowa, office, was sympathetic in his brief response: “No worries Sir, I completely understand, and I thank you for your time in this matter.”Some residents at a county board of supervisors meeting Monday supported Kennedy, a Democrat. Others wanted him to do more with immigration authorities. A Republican supervisor suggested a 287(g) agreement might cost the county or taxpayers but would be essential for public safety.Kennedy told residents that his office has been, and will be, a partner to ICE but that a “binding agreement” could detract from other law enforcement work.

“When you partner with the federal government, our employees then have the potential to become their employees,” he said.An Iowa law prohibits state and local officials from adopting policies that limit cooperation with federal immigration authorities.

the Winneshiek County sheriff over a Facebook post that she said discouraged cooperation, potentially jeopardizing state funding to the county.

The Trump administration has alsoHis Broadway career began in 1960 with “Bye Bye Birdie,” which Strouse wrote with lyricist Lee Adams and librettist Michael Stewart. “Birdie,” which starred Dick Van Dyke and Chita Rivera, told the tale of an Elvis Presley-like crooner named Conrad Birdie being drafted into the Army and its effect on one small Ohio town.

Strouse not only wrote the music, but he played piano at auditions while Edward Padula, the show’s neophyte producer, tried to attract financial backers for a production that would cost $185,000.“We never stopped giving auditions — and people never gave money at all. The idea of using rock ‘n’ roll — everybody was so turned off,” Strouse said.

Finally, Padula found Texas oilman L. Slade Brown. When he heard the score, he said, in a Texas twang, “I like those songs,” pushed Strouse aside and picked out the tune of “Put on a Happy Face” on the piano.Brown then said, “How much do you fellas need?” and wrote out a check for $75,000 to cover the start of rehearsals. “Suddenly, the world turned Technicolor,” Strouse remembered.