内容摘要：In a video call, Montgomery explained the pig transplant to Miller-Duffy and her wife, Sue Duffy — and why it could make a difference. Montgomery’s compassion won them over.

In a video call, Montgomery explained the pig transplant to Miller-Duffy and her wife, Sue Duffy — and why it could make a difference. Montgomery’s compassion won them over.

called “Somewhere to Roost.”The collection of 60 pieces explores artists’ conceptions of home in paintings, illustrations, folk art objects, collages, blanket chests, quilts and family photographs.

The exhibition’s title piece, “‘Birds Gotta Have Somewhere to Roost” by Thornton Dial Sr., is a collage of weathered wood, burlap, carpet and tin. At first glance, it’s a scramble of tossed-away scraps. But consider the title and you imagine something else: birds gathering the bits to make a nest. Dial’s work, including many such assemblages of found materials, are in museum collections around the U.S.Birds are depicted in a pen-and ink drawing made in the 1800s by V.H. Furnier, an artist and penmanship teacher in Indiana, Pennsylvania. It includes the words “Home Sweet Home,” and above it an avian pair, one of them carrying a sprig with the words “Spare the Birds.”New Englander Joseph E. Clapp’s beautiful birdcage is another standout. Made of Peruvian mahogany and whalebone with petite brass pins, it’s a marvel of construction. Clapp was a master mariner who worked on whale boats in the 1850s. When he retired, he created a bird sanctuary in Peru. He finally returned to Nantucket, where he was often seen strolling the streets with his pets in their cages.

A drawing called “Devil House” conveys what it means when home is a literal prison cell. Incarcerated in a Huntsville, Alabama, prison, Frank Albert Jones started drawing with the red and blue pencil stubs discarded by inmate bookkeepers. A recurring theme is enclosed rooms surrounded by jagged wiry barbs he called “devil’s horns,” with grinning spirits. He frequently includes a clock; for many years, his cell faced the penitentiary’s clock tower.Jones’ signature on “Devil House” includes his neatly printed prison number, 11451.

grew up on Louisiana plantation and became an acclaimed self-taught artist. Starting in her 50s, she created a visual history of everyday life there — from laundry days to weekend parties — as she remembered it in the early 1900s. Two of her untitled works are in the exhibition; one shows people gathering at an outdoor funeral, while the other depicts a courtroom scene.

Another painting in the exhibit is of, but it was a bacteriological infection.”

“Her death was caused by pneumonia,” Kennedy told Fox News. “So, you know, her parents said that she was over measles two weeks before.”Kennedy’s spokesperson did not respond to questions asking where he got his information about the child’s medical history and to clarify why what he said conflicted with statements from health officials.

: The anti-vaccine group Kennedy led for years, Children’s Health Defense, promoted his comments, posting a clip online and saying it shows that Kennedy “confirms the so-called ‘measles deaths’ are NOT actually measles deaths.”American Values wrote that his comments constituted a “bombshell” because the child “did not pass away from measles, despite what the media claimed.”