内容摘要："I can't tell you how upsetting it was to see people walking around numb with shock and fear about what they are going to do... [when] television is coming very slowly to its natural end."

"I can't tell you how upsetting it was to see people walking around numb with shock and fear about what they are going to do... [when] television is coming very slowly to its natural end."

All this happens in three minutes. In one take. It is an early scene in Netflix's hit show Adolescence, which was watched by more thanIt wouldn't have been possible to film a sequence quite like this five years ago, the show's cinematographer Matthew Lewis claimed

. Each of the four, roughly one hour-long episodes of Adolescence was shot entirely in one take, known as a "oner", with the camera frequently following characters through frantic scenes, or switching from handheld to vehicle-mounted filming.Lightweight, self-stabilising cameras that can adjust to dramatic changes in environmental lighting have sparked a small revolution in the film and TV industry.At the end of Adolescence's second episode, for instance, the camera moves from filming inside a car to crossing a road, to flying over nearby streets, and then to ground level again.

You can just about detect the switch from drone to human operator – there's a minuscule wobble – but unless you're looking for them, these transitions are effectively seamless.It was made possible in part by a DJI Ronin 4D, a small, high-resolution camera that has multiple built-in sensors for detecting movement in relation to the floor and nearby objects.

This allows internal mechanisms to compensate for that movement and achieve smooth, stable footage.

The result is "phenomenal", says seasoned filmmaker and Boston University professor Tim Palmer.A spokesperson for the New York Times said: "Any fair reading of this piece shows a sensitive and nuanced exploration of the benefits and complications of new technology in a remote Indigenous village with a proud history and preserved culture.

"We intend to vigorously defend against the lawsuit."Sir Jony Ive, the hugely influential British designer responsible for the look of Apple's most iconic and successful products, is joining OpenAI.

Boss Sam Altman said he was "thrilled" to be partnering with the man he called the "greatest designer in the world".OpenAI, the maker of ChatGPT, is buying Sir Jony's startup, io, in a $6.5bn (£4.7bn) deal.