内容摘要：“We have to work with what we have and do what we have to do to keep that place safe for our kids,” Branch said, adding, “rent is getting higher, but the upkeep of apartments isn’t changing at all.”

“We have to work with what we have and do what we have to do to keep that place safe for our kids,” Branch said, adding, “rent is getting higher, but the upkeep of apartments isn’t changing at all.”

A drawing called “Devil House” conveys what it means when home is a literal prison cell. Incarcerated in a Huntsville, Alabama, prison, Frank Albert Jones started drawing with the red and blue pencil stubs discarded by inmate bookkeepers. A recurring theme is enclosed rooms surrounded by jagged wiry barbs he called “devil’s horns,” with grinning spirits. He frequently includes a clock; for many years, his cell faced the penitentiary’s clock tower.Jones’ signature on “Devil House” includes his neatly printed prison number, 11451.

grew up on Louisiana plantation and became an acclaimed self-taught artist. Starting in her 50s, she created a visual history of everyday life there — from laundry days to weekend parties — as she remembered it in the early 1900s. Two of her untitled works are in the exhibition; one shows people gathering at an outdoor funeral, while the other depicts a courtroom scene.Another painting in the exhibit is of, by the Jamaican artist Kapo, whose given name was Mallica Reynolds. Flack and Reynolds had become close in the 1970s after she saw his works on display in a hotel in Jamaica, and Flack set up a foundation for the artist so he could concentrate on his work without worrying about finances.

When Kapo’s house burned down, it was Flack who helped him rebuild, and her support allowed him to stay in his hometown and continue his art. It was one of many obstacles that he overcame, said his daughter, Christine Reynolds, who came to see the exhibition.“Seeing his painting on view in `Somewhere to Roost’ is yet another signal that his work made it through,” she said. “I feel pride, vindication and joy, and I only wish I had him at the museum next to me so that I could watch his reaction to seeing it.”

A photograph by Margaret Morton entitled “Mr. Lee’s Home” shows a makeshift dwelling that was part of a lower Manhattan homeless encampment in the 1980s and early ‘90s. It and some other shelters were

; resident Yi-Po Lee died in the fire.“He’s our captain, he’s our leader. He’s a guy that we follow every day,” Johnston said. “Just such an important part of our team on the ice, off the ice, and just an amazing person.”

DALLAS (AP) — This playoff run has felt different for Connor McDavid and the Edmonton Oilers, though they are now back in the same place., again against Florida after losing a seven-game series to the Panthers last June.

“I think we’re better for going through last year. It’s a great learning experience and it’s really driven us all year,” McDavid, their captain, said after the Oilers wrapped up their second Western Conference title in a row. “This run has felt different than last year. It’s felt very normal. ... I don’t want to say boring because it’s not boring at all. It hasn’t been as emotional.”Edmonton won in its first clinching opportunity in all three series so far this postseason. After losing their first two games at Los Angeles in the opening round, the Oilers won four in a row against the Kings, took out Vegas in five games and then did the same to the Dallas Stars in a West final rematch that ended with a 6-3 win Thursday night.