Measles is most contagious for about four days before and four days after the rash appears and is one of the
But even though Anderson and Cera didn’t work together until “The Phoenician Scheme,” they developed a relationship. Cera, who aspires to write and direct his own films, would send Anderson scripts for feedback. “We became friends,” says Cera.“In the case of this movie, it was everything short of written for him,” Anderson says. “As soon as we had the idea of the character, he was the guy who (cowriter Roman Coppola) and I started talking about. I think we talked to him about it before there was a script or anything.”
“It seemed like it had already happened,” adds Anderson. “And it was a very good fit, a natural thing.”Cera quickly adapted to Anderson’s unique style of moviemaking, in which the cast collectively stay at a hotel, begin the morning in makeup together and remain on set without trailers to retreat to. “At first, you’re kind of exhausted,” says Cera. “At the end of the first day, you go: OK, I need to eat a bigger breakfast.” As the production went along, Cera often sat right next to Anderson to watch him work.One very notable characteristic of Bjørn is a Norwegian accent. If there’s anything more fitting than Michael Cera being a Wes Anderson movie, it might be Michael Cera doing a Norwegian accent in a Wes Anderson movie. It’s also a bit that, in “The Phoenician Scheme,” has a touch of spoiler to it. Cera calls it “sort of a jaunty, playful representation of an accent, not purporting to be a home run.”
“When I brought up the accent to Wes, I said, ‘How should we go about this accent?’” Cera say. “He was kind of caught of guard. I think he hears the movie in his head and maybe hadn’t figured that in. It was something Wes had to compute.”As Anderson describes it, Cera was determined. “I, at a certain point, was a little reluctant, like, I don’t know if we need it,” says Anderson. “He was like: ‘No, let me show you what I’m going to do.’”
A determination in absurdism has long marked Cera’s best performances. Though a private person who has resisted all urges to get a smartphone, Cera is remarkably fearless when it comes to the most awkward moments. It’s a seriousness of purpose that, whether singing “These Eyes” in “Superbad” or waving hello as Allen in
that’s made Cera a favorite of successive generations. Even in a billion-dollar blockbuster, Cera can be unassumingly hilarious.“We encourage clients to invest in pieces like sofas/sectionals, beds, dining tables and upholstered items, because you can really feel the difference when these items are well-made,” she says.
Peter Spalding of the designer furniture sourcing platform Daniel House Club notes that imitations of Chippendale and other legacy-style pieces — think cabinets and wingback chairs, for example — were common in the ‘80s and early ’90s.“Now, the imitations aren’t very valuable, but the originals remain highly sought after,” he says. “As you collect ‘slow furniture,’ buy the most authentic versions you can afford.”
Dan Mazzarini of BHDM Design and ARCHIVE echoes the advice.“If you’re looking for a good investment, go straight to vintage. Things that have already stood the test of time often have another 50 years left in them! Side tables, desks, even cabinets are great pieces to look for,” he says.