内容摘要：Many U.S. lawmakers also aren’t convinced JBS belongs on the NYSE.

Many U.S. lawmakers also aren’t convinced JBS belongs on the NYSE.

For extra credit, spot all the product placements in the movie: Cap drives a GMC truck and uses Dell computers. The president of the United States uses a Peloton. What a wasted opportunity for Cap’n Crunch.There does emerge a theme that unites Cap and Ross, which is that both feel the need to prove themselves. Mackie’s Captain America throughout the previous 2021 TV series “The Falcon and the Winter Soldier” was ambivalent about taking on the mantle of Steve Rogers, the original Sentinel of Liberty. “You wonder if you’ll ever be enough,” he says.

Ross says he wants to secure peace across the world but really wants to reconnect with his estranged daughter — Liv Tyler — and prove he’s changed. He wants to take a walk with her to see the cherry blossoms. We would like him to ask serious questions of his agent.Mackie, who joined the MCU more than a decade ago in 2014’s “Captain America: The Winter Soldier,” has been a good servant to Marvel and deserves better. One of our great actors, he can be steely and vulnerable. But he can’t outrace stilted lines like “If we can’t see the good in each other, we’ve already lost the fight.” Marvel has lost more than the fight; they’ve lost the thread.“Captain America: Brave New World,” a Walt Disney Pictures release that opens in theaters on Friday, is rated PG-13 for “intense sequences of violence, action and some strong language.” Running time: 118 minutes. One star out of four.

“You’re the actor!” shouts Anna Genovese at her estranged spouse, gangster Vito Genovese, in a courtroom where he’s implausibly claiming he lacks funds to support her. “The best actor in the world! Better than Clark Gable!”And we all chuckle. They probably all chuckled on set, too. Because the man playing Vito

is none other than Robert De Niro, indeed one of the best actors in the world, revered in our time as Gable was in his.

It’s a cute moment and an apt one, too, because) whose powers of deduction are enhanced by his autism, just succeeds at punching up the numbers for “The Accountant” in this belated follow-up.

It’s a role that was always an odd fit for Affleck. In a way, that’s the intention. Affleck’s Christian Wolff is a monotone bean counter who used to help criminal organizations launder money and clean their books. Now, he’s a combination of stickler and vigilante whose insight into tax filings and other paper trails helps him hunt down any clue. The best scene in “The Accountant 2” might be when he exposes a human trafficking scheme at a pizza company by rapidly calculating a dubious gap of underreported pizza box expenses. (There, if ever, is a reason to keep your receipts.)Affleck, of course, has always been a more garrulous, charismatic screen presence. The role of savant wasn’t for him; it was for his “Good Will Hunting” co-star, Matt Damon. Here, though, he’s an emotionless android who speaks in clipped sentences and avoids eye contact. And while the “Rain Man” shtick of “The Accountant” always feels forced, you can tell Affleck is enjoying himself.

In “The Accountant 2,” that’s most true when he’s paired up with Jon Bernthal. He plays Wolff’s more outgoing and freewheeling brother, Braxton, who has a knack for bloody mayhem but harbors hurt feelings from his brother’s distance in recent years. The two make a fine action duo of opposites. The problem? It takes a long time in Bill Dubuque’s unhurried and disordered script to get to them.The movie begins with a set piece of misdirection that adds to the muddled nature of the first act. Retired FBI financial crimes boss Raymond King (J.K. Simmons) is meeting someone at a restaurant who might help in his search for a family of Central American refugees. It’s a hit job, though, with snipers in position, and a separate, mysterious assassin (Daniella Pineda) lurking about. The scene ends with King’s body taken out with a message he’s written on his forearm: “Find the accountant.”