内容摘要：“You just pay attention to the director,” Gomes said. “You have to pay attention — there’s a way to show every groove.”

“You just pay attention to the director,” Gomes said. “You have to pay attention — there’s a way to show every groove.”

As the novel progresses and Freya starts to rebuild her life in Somers, we learn bit by bit the horrific events that led to her departure.Reconnecting with childhood friends, avoiding the demons of her past, and navigating an entirely new level of adulthood via being thrust into homeownership, “Home of the American Circus” is Freya’s journey of empowerment, to reclaim her life and the people and things she holds most dear; to recognize her own resilience and inherent self-worth. Larkin builds a robust picture of Freya’s life, her family, and a small American town home to a circus elephant.

It takes more than a little verve to write a story based on the iconic characters created byin perhaps the 20th century’s most famous American novel, but Claire Anderson-Wheeler has done just that with “The Gatsby Gambit.” And, say, old sport, it’s delightful.Fans of “The Great Gatsby” — Penguin Classics is publishing a 100th anniversary edition in conjunction with Anderson-Wheeler’s new work — will delight in seeing their old friends again. Jay Gatsby is here, of course, but also Nick Carraway, Tom and Daisy Buchanan, and Jordan Baker. They are joined by Anderson-Wheeler’s invention, Jay’s sister Greta, back from finishing school and spending the summer at the mansion in West Egg. She’s the real star of the story, which after re-introducing readers to Fitzgerald’s cast, quickly takes a tragic turn.

Saying more about the tragedy would spoil the reading experience, but suffice it to say that it fits perfectly with the story Anderson-Wheeler wants to tell — about a young woman with extraordinary means who is awakening to the inequities of the 1920s America she inhabits.She moves easily between the wealthy partygoers at her brother’s famous lawn parties and the servants who meet their every need, which puts her in perfect position to become a youthful version of Miss Marple, following every lead to solve the book’s central mystery.

Anderson-Wheeler writes in a voice that is fun to read, even as she stays true to the character traits Fitzgerald created a century ago. Here’s a moment in Greta’s head: “It was fortuitous, Greta reflected, that the future of women’s liberation did not depend solely on Daisy Buchanan.” Or Jordan, as she pushed “the duck confit morosely around her plate: Murder investigations aren’t half so much fun as I thought they’d be.”

Fitzgerald scholars may find it all frivolous — nothing but fan fiction that effectively negates the plot of the original — but readers who either don’t care about that or who just want to spend more time with these characters will be rewarded.— Social media star Nadia Caterina Munno, a chef known as The Pasta Queen, now has her own

Munno takes viewers on a tour of Italy and then into the kitchen where she demonstrates how to make authentic Italian dishes with fresh ingredients. She knows her stuff. Munno comes from a family of pasta makers that goes back generations and the series also features members of her famiglia. “The Pasta Queen” drops Thursday on Prime Video.— Billy Crystal stars in a new series for Apple TV+ called

about a man grieving the death of his wife. A child therapist, Crystal’s character Eli, finds himself drawn to a young boy (played by Jacobi Jupe) whom he realizes may carry past trauma that could help his own. The show also stars Judith Light and Rosie Perez. It premieres Oct. 25 on the streamer.— The Peabody Award-winning