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The Associated Press Health and Science Department receives support from the Howard Hughes Medical Institute’s Science and Educational Media Group and the Robert Wood Johnson Foundation. The AP is solely responsible for all content.RALEIGH, N.C. (AP) — The horn sounded to signal a third straight trip to the Stanley Cup Final, and the Florida Panthers celebrated merely by hopping over the boards and several heading over to to congratulate goaltender Sergei Bobrovsky.
It was a subdued celebration seemingly more befitting a regular-season win for the regining Cup champs.“I remember a few years ago, it felt like such an accomplishment from where we were at one point,” forward Matthew Tkachuk said, adding: “It’s all business and we’ve got a bigger goal in mind.”The Panthers closed out the Carolina Hurricanes in five games Wednesday night with a 5-3 victory in the Eastern Conference final, pushing ahead for good when Carter Verhaeghe broke a tie off a feed from Aleksander Barkov with 7:39 left.
Florida beat the Hurricanes in the Eastern final for the second time in three seasons. The Panthers will face the winner of the Western final between Dallas and Edmonton, with the Oilers up 3-1 in that best-of-seven series to put them within a win of a rematch with Florida for the Cup.Sam Bennett added an empty-net goal with 54 seconds left by skating down a loose puck straight out of the penalty box after Florida had held up against a critical late power play for the Hurricanes.
That capped a wild night that saw the Hurricanes jump to a 2-0 lead by capitalizing on giveaways, and Florida answer with three second-period goals, only to see Carolina’s Seth Jarvis beat Bobrovsky midway through the third to tie it at 3.
“That was all the elements that make our sport great,” Florida coach Paul Maurice said. “They’re all over us. And we’re serving up pizzas and we don’t look like we should’ve made the playoffs, and then the next thing you know we look pretty good.”POSEN: This amazing opportunity that came about with like ‘do we do a Met Gala outfit,’ right? ‘Do we do a Met Gala outfit?’ And we said, “yes, let’s do it.” And I had this amazing opportunity with Da’Vine Joy (Randolph) and the ability to kind of bring in different art artisans in the process. And I think they saw a different facet ... of my creativity and what Gap could mean culturally.
POSEN: The Met Gala happened. And then the next day, my friend Erin Walsh, stylist, and Anne Hathaway called and said, we want you to make a cotton dress. And from that moment we produced the dress. Sold within hours, sold out online. And we kind of started to see this cultural conversation starting and this other facet that really naturally evolved. It wasn’t in a strategy or a playbook. I never really thought I’d be rebuilding another sub-brand within such an iconic brand and have this opportunity to work in an artisanal manner in the early development of a collection that will be available to a much larger scale amount of people.”POSEN: I hadn’t had my company since before COVID, since 2019, when my company closed. And it had been this interesting time period ... Obviously COVID happened. I had to figure out how to support myself, and I was doing one-of-a-kind pieces. I did some projects with Ryan Murphy on ‘Feud: Capote Versus the Swans,’ and little projects here and there, and I was looking at different opportunities, mostly around within luxury and with luxury brands that I’d been in conversations with for quite some time. And I had this amazing opportunity here.
POSEN: GapStudio is using a totally different skill set of mine, the ability and honor to be able to kind of call the team back after ... losing a family that I had built and grown with for over 20 years of incredible artisans and craftspeople and designers that I worked with for many years that had been broken apart, is a full journey story that I actually never saw or expected in my life, and it’s really meaningful. It’s really beautiful to create environment in a space and to have an American institutional corporation and brand invest in creativity and talent at this level is really unprecedented.POSEN: Great question. Gap is Gap. Gap will always be evolving. The world has evolved. Great classics are always great classics. They always need those elements of elevation to them. I think design and how people dress today has changed. I think that new consumers in the marketplace are requesting elements to mix into their classics that are more elevated, that are more stylish. That’s how we capture a new, younger audience.