内容摘要：“On the far end where the bell shape is very narrow, that is telling you the odds of very extreme events,” he said. “If you have a slight shift of the average of the peak of that bell to the warming direction, what that results in is a substantial decrease in the odds of extremely cold temperatures and a substantial increase in the odds of extremely warm temperatures.”

“On the far end where the bell shape is very narrow, that is telling you the odds of very extreme events,” he said. “If you have a slight shift of the average of the peak of that bell to the warming direction, what that results in is a substantial decrease in the odds of extremely cold temperatures and a substantial increase in the odds of extremely warm temperatures.”

, which Murphy is still processing. Work is keeping him busy, though. His company already has another film in post-production, “Steve,” based on Max Porter’s novel “Shy.” And in September, he started filming the “Peaky Blinders” movie.Murphy spoke to The Associated Press, before heading off to “Peaky Blinders,” about being a “serial re-collaborator,” the humbling and passive experience of winning the Oscar and pitching

the film during a night shoot on “Oppenheimer.” Remarks have been edited for clarity and brevity.MURPHY: It’s a seemingly simple story, but it’s actually incredibly complex the way it talks about society and complicity and shame and guilt and secrecy and fear and all those things. I felt like it had a lot to offer audiences.MURPHY: It’s a male protagonist written by a woman, but it’s a story about women. That was quite interesting and unconventional. And the story really begins when the film ends. The real drama happens afterwards. And I think that’s just so unconventional and quite radical. The reason Bill is the man that he is, is because of what happened to him as a child and this act of charity that his mother experienced. And then these awful acts of cruelty that these other girls are experiencing — that’s what’s bringing him to this place in his life.

Claire had actually said in a podcast, someone said “oh it’s such an heroic act” and she said “no, he’s not a hero, he’s just someone who’s having a nervous breakdown.” I thought that was really smart. And that’s kind of how I tried to play it.It all comes back, as it tends to with men, in middle age. They begin to really sense their mortality and they have kids of their own. That’s when it all seems to come crashing down on them. And it’s so beautifully observed by Claire and Enda (Walsh).

MURPHY: I’m a kind of a serial re-collaborator. I just love working with people again. And I really firmly believe you got the best work from trust and from friendship. Enda I’ve worked with in a theater like four or five times and, and he’s just generally brilliant. I knew that he loved Claire’s book and that he would understand that world. And Eileen, it’s very hard to act 20 years of history, but when you have 28 years of history, you get it for free. She’s just a phenomenally powerful actor. She can kind of do anything.

MURPHY: My producing partner was working with Matt on the U2 documentary about Sarajevo, and I was working with Matt on “Oppenheimer.” It was a pincer movement. I remember it was like a night shoot in the desert somewhere, and we were waiting for the rain to pass or the lights to be fixed. And he was telling me aboutBureau of Indian Affairs, Fredonia, Ariz. (1,500 square feet)

United States Fish and Wildlife Service, Grand Junction, Colo. (1,444 square feet)National Oceanic Atmospheric Administration, Hampton, Va. (911 square feet)

Employment Standards Administration, Wage and Hour Division, Harlingen, Texas (612 square feet)Rural Housing Service, Harrisburg, Pa. (34,467 square feet)