内容摘要：The impact was limited though, and futures for U.S. stock indexes quickly pared their losses. Since Wednesday’s ruling, analysts and investors have been saying Trump and his administration would likely look for new avenues to impose tariffs on trading partners.

The impact was limited though, and futures for U.S. stock indexes quickly pared their losses. Since Wednesday’s ruling, analysts and investors have been saying Trump and his administration would likely look for new avenues to impose tariffs on trading partners.

, by the Jamaican artist Kapo, whose given name was Mallica Reynolds. Flack and Reynolds had become close in the 1970s after she saw his works on display in a hotel in Jamaica, and Flack set up a foundation for the artist so he could concentrate on his work without worrying about finances.When Kapo’s house burned down, it was Flack who helped him rebuild, and her support allowed him to stay in his hometown and continue his art. It was one of many obstacles that he overcame, said his daughter, Christine Reynolds, who came to see the exhibition.

“Seeing his painting on view in `Somewhere to Roost’ is yet another signal that his work made it through,” she said. “I feel pride, vindication and joy, and I only wish I had him at the museum next to me so that I could watch his reaction to seeing it.”A photograph by Margaret Morton entitled “Mr. Lee’s Home” shows a makeshift dwelling that was part of a lower Manhattan homeless encampment in the 1980s and early ‘90s. It and some other shelters were; resident Yi-Po Lee died in the fire.

Morton chronicled the camp’s residents in her series “Fragile Dwelling.”“These impoverished habitats are as diverse as the people who build them, and they bear witness to the profound human need to create a sense of place, no matter how extreme one’s circumstances,” she wrote.

In one painting, a young boy is wearing some snazzy red slippers and a blue romper. He’s got a big book in one hand and an even bigger hat in the other. You get the impression he’s stopped only momentarily before running off to play in his room.

“Portrait of Frederick A. Gale” was painted by Ammi Phillips in 1815 and is one museum director Jason Busch’s favorite pieces in the collection. It stands out, he said “because it’s representative of an art genre that, up till then, had been the purview of society’s upper crust.Workers lay sewer lines. A temporary steel bridge to the state park — replacing the ornate stone and concrete span that washed out — should be ready soon, O’Leary said.

“In a normal year, they easily have 400,000 visitors that come to the park,” he said. “That’s really the draw that brings people here.”One recent evening, Rose Senehi walked down Main Street, stopping to peer into shop windows to see how much progress had been made.

The Broad River flows beneath a temporary bridge beside flood-damaged buildings in Chimney Rock Village, N.C., on Wednesday, May 14, 2025. (AP Photo/Allen G. Breed)The Broad River flows beneath a temporary bridge beside flood-damaged buildings in Chimney Rock Village, N.C., on Wednesday, May 14, 2025. (AP Photo/Allen G. Breed)