内容摘要：Federal prosecutors, however, last year said Boeing violated the

Federal prosecutors, however, last year said Boeing violated the

Liebes collaborated not just with architects and designers but with major brands like Lurex and DuPont.“She had a sense early on of the importance of textiles in interior design. She also knew how to read a blueprint, and she had a very analytical perspective. In a different decade, she might have become an architect,” says Winton.

In addition to her design expertise, Liebes could communicate it. She frequently appeared on television and in magazines, and mentored young weavers and designers in her studios in California and, later, New York.Among highlights of the show are the brave — and bright — blue and green color combination in the first-class observation lounge of the ocean liner S.S. United States. There are the brilliant reds and blues of the first-class seating on American Airlines flagship 747; the glamorous textile backdrops of the 1947 film “Eastside, Westside”; and the dazzling upholstery of the 1957 Chrysler Plymouth Fury.There also are Liebes’ collaborations with fashion designers Clare Potter and Bonnie Cashin, revealing the frequent interplay between fashion and interior design.

“There is nothing like what I call a ‘whameroo’ color to make the whole thing come alive,” Liebes told Potter when Potter said she loved the way Liebes would “inject something startling” in her work.“Don’t be afraid of color,” Liebes said. “Color is heady stuff, and the more one lives with it (as the 20th century man does), the more one can digest. After all, it isn’t the color, but the combination of colors and values.”

She was equally enthusiastic about infusing her work with flashes of bling, which she saw as something essential: “Glitter is what the sun does to grass, what light does to nature.”

The idea of using small items like throw pillows to add pops of color to an interior is a direct legacy of Liebes’ influence, the curators say.Por ejemplo, los aspirantes a jueces no podían recibir apoyo o financiamiento de organizaciones políticas, tampoco contratar espacios de promoción en los medios. Sólo se les permitió imprimir volantes y realizar pequeñas concentraciones, así como campañas a través de las redes sociales con sus propios recursos con unos topes —de unos 11.000 dólares hasta 70.000 dólares— dependiendo del cargo al que aspiran.

Pese a los esfuerzos del INE, analistas consultados por The Associated Press coincidieron en que el proceso quedó marcado desde su origen por la política, ya que las propias elecciones judiciales son fruto de una reforma muy controvertida que impulsó el oficialismo y sus aliados cuando Andrés Manuel López Obrador aún era presidente.Fue fuertemente cuestionada como una vía que podría politizar la justicia, pese a que el gobierno la defendió precisamente como una forma de combatir la corrupción judicial. López Obrador fue un abierto crítico del ente electoral y, durante su mandato, redujo el presupuesto del INE.

La reforma al sistema de elección de jueces fue, por tanto, unapara quien la votación del domingo será ahora determinante a la hora de medir su poder de convocatoria. Si bien los partidos políticos no pueden promover a ningún candidato, desde el gobierno se ha insistido a sus seguidores a participar en la votación.