内容摘要：The US government hasn't deported anyone based on their tattoos alone, according to comments from an Immigration and Customs Enforcement (ICE)

The US government hasn't deported anyone based on their tattoos alone, according to comments from an Immigration and Customs Enforcement (ICE)

If signed and fully implemented, it would reduce paperwork, ease checks, and could even lift bans on products like raw meats.Food and drink exports to the EU in 2023

, accounting for 57% of all the sector's overseas sales.But the deal comes with conditions. The UK will need to follow future EU food standards – a system known as "dynamic alignment" – and accept that the European Court of Justice will have the final say in any disputes in this area.The UK will also have to make a financial contribution. However it is currently unknown how much this will be and when it will be required.

Although fishing accounts for a very small part of the UK economy -- it is politically sensitive.

The "reset" document notes "political agreements leading to full reciprocal access to waters to fish until 30 June 2038" - a 12-year extension to the current deal negotiated by Boris Johnson's Conservative government - and much longer than expected.

Under the existing agreement (due to expire in 2026), EU vessels get access to UK waters to fish - in return for transferring 25% of their fishing quota - the amount they are allowed to catch - to UK fleets.Prof Palmer adds that gimbals, stabilising devices for cameras, have been around for years now, but methods of controlling them and pulling footage remotely have only recently become highly sophisticated.

He also mentions how some of the latest cameras have built-in filters that can be controlled remotely, or stabilisation technology that can be activated or deactivated at the press of a button. "That's a complete game-changer," he says.Long single takes are far from a new concept in cinema. There are examples dating back decades.

Take the 2015 film Victoria, a hair-raising, two-hour and 20 minute feature film that its makers say was shot in a single take. Some haveabout this in the past, but cinematographer Sturla Brandth Grøvlen tells the BBC emphatically, "There are no edits or cuts."